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A burial cloth, which some historians maintain was the Shroud, was owned by the Byzantine emperors but disappeared during the Sack of Constantinople in 1204.
There are no definite historical records concerning the particular shroud currently at Turin Cathedral prior to the 14th century.The origins of the shroud and its images are the subject of intense debate among theologians, historians and other researchers.Diverse arguments have been made in scientific and popular publications claiming to prove that the cloth is the authentic burial shroud of Jesus, based on disciplines ranging from chemistry to biology and medical forensics to optical image analysis.The two views are aligned along the midplane of the body and point in opposite directions.The front and back views of the head nearly meet at the middle of the cloth.The image of the "Man of the Shroud" has a beard, moustache, and shoulder-length hair parted in the middle.
He is muscular and tall (various experts have measured him as from 1.70 to 1.88 m or 5 ft 7 in to 6 ft 2 in).
The cloth is woven in a three-to-one herringbone twill composed of flax fibrils.
Its most distinctive characteristic is the faint, brownish image of a front and back view of a naked man with his hands folded across his groin.
There are some burn holes and scorched areas down both sides of the linen, caused by contact with molten silver during the fire that burned through it in places while it was folded.
The historical records for the shroud can be separated into two time periods: before 1390 and from 1390 to the present.
A variety of methods have been proposed for the formation of the image, but the actual method used has not yet been conclusively identified.